Movie Review: Skyfall (2012)

If the Academy of Motion Picture Arts and Sciences has any sense of objectivity left, they should look to Skyfall for an award for Best Director, or at the very least Best Cinematography. Director Sam Mendes and cinematographer Roger Deakins have crafted not only the best looking film of 2012, but easily the best looking 007 ever made. Skyfall is nothing short of absolutely magnificent, with a quality to the direction and photography that is truly Oscar caliber.

I hear claims that Skyfall is the best Bond film ever made, and I think that could be true – at the very worst, it comes in second just behind Casino Royale (2006). In a way the two films are similar: Both give us a look at a James Bond who feels real, suffering from the same human condition as the rest of us. It’s a take on the franchise that I’m glad Sam Mendes decided to keep, especially considering Skyfall feels as though it was made to celebrate Bond’s 50-year film history.

Somehow the creators behind Skyfall have managed to make an ode to franchise, while simultaneously maintaining the film’s distinct identity. The Aston Martin DB5 famously driven during Goldfinger (1964) makes a triumphant return in Skyfall, complete with cheesy machine guns hidden below the headlights. Moments like these exist to provide fan service, but still fit in with the mood of Skyfall, which portrays Daniel Craig’s Bond as an aging relic refusing to accept his limitations.

Disney's Lucasfilm Deal May Be Good For Star Wars Fans

When I first heard that the Walt Disney Corporation purchased Lucasfilm and the Star Wars franchise, I was ready to Occupy Disney in protest, and I’m sure there are millions of fans who would have joined me. I was shocked. I sat stunned in my room, cuddling my Wicket doll and wishing it was all just a bad dream.

 

Episode VII? I didn’t want an Episode VII! Hell, I didn’t even want the prequel movies, but I guess George Lucas was going to shove them down my throat no matter what. To be fair, his marketing machine did do a great job of making me believe I only knew part of the story, and he did pocket a ticket purchase from me for all three of those below-average films.

It was then that I had my epiphany: if George Lucas wasn’t in charge of Lucasfilm anymore, then George Lucas couldn’t pollute the original Star Wars trilogy ever again. And that’s a huge plus, one that a Blu-ray collection absent of Star Wars reminds me of each and every day.

XBLA Review: Double Dragon Neon

I was excited to finally get my hands on Double Dragon Neon, a game that I thought would bring back great memories from the old days of my youth. However, after playing Neon for only a few minutes, I realized that those memories may not have been as great as I thought. Double Dragon Neon isn’t a bad brawler game. But, I will suggest the brawler genre as a whole that needs some serious reimagining.

A couple months ago a friend and I sat down to play Streets of Rage 2 on the Sega Genesis Collection. I remembered really enjoying the game as a kid, but this time I wasn’t having any fun while playing. For me, Streets of Rage simply didn’t withstand the test of time.

Brawler videogames come out of an era when you would do much of your gaming in arcades, feeding quarters into a machine with some friends. The ability to play on the same screen with a buddy, working together to conquer mutual enemies, was much of the appeal of the brawler genre. Fast forward to present day, and none of that is really all that appealing -- we’re used to it.

So, what else does the Neon offer besides multiplayer functionality? Well, not much. You roam around a small game area, punching enemies in the face, and occasionally there will be a terrain hazard or new foe to change up the action.

Movie Review: Dredd 3D (2012)

Judge Dredd is a badass who obeys the law -- perfectly. When he’s sent out to train his new psychic rookie, Judge Anderson (Olivia Thirlby), the two find themselves locked down in a gang infested city block, where the only justice crime knows is pain. Dredd 3D is an immensely-fun action thriller that gets right what the 1995 Judge Dredd got so very wrong.

From the opening scene, it’s obvious that Dredd isn’t the type of film that takes itself seriously. This is a bloody satire that, if it wasn’t done right, could have been a colossal failure. The costumes are silly, the setting is hilariously bleak, and the characters aren’t exactly original -- and that’s exactly why it works so well.

Dredd is based on the long running comic strip Judge Dredd which is famous for its tongue-in-cheek approach to tackling important themes, like anarchism and the growing police state. The cyberpunk strip shocked readers with its dystopian visuals and gritty storylines, many of which were very influential in shaping the future of comics.

This latest film adaptation is a successful update that is sure to please fans and newcomers alike. Much like the comic strip that came before it, Dredd is a smart movie, though on its face it may seem like nothing more than a “B” production with a big budget.