Movie Review: Snow White and the Huntsman (2012)

Snow White and the Huntsman  is a complete re-imagining of the classic German fairy tale. While this latest adaptation contains dark imagery aimed at adults, it's still the same fairy tale you've always known, right down to the Seven Dwarfs. This may make some of the purists happy, but it will unfortunately leave many moviegoers wanting a whole lot more.

Yes, in this version of the film there are battles between armies and some vicious fantastical monsters; however, these elements do very little in terms of adding something new to the same old story. Instead these scenes feel like additions made only to meet the audience's fantasy film expectations.

The epic battles (which don't seem all that epic) feel like an aside to the fairy tale and don't mesh very well into the story. We're told that Snow White is supposed to lead an army against the Evil Queen and restore her father's kingdom, but the reasons behind Snow White's charisma aren't properly articulated and are never well examined.

Movie Review: Men in Black 3 (2012)

When I arrived at the theater to see Men in Black 3, memories of the first film were at the forefront of my mind. However, I can't remember much about the second film at all. Where the first movie was a clever mix of action and comedy, the second film was just a collection of silly moments, none of which are funny enough to be very memorable.

I'm sad to say that the third film is no different. Men in Black 3 seems like one outrageous moment after another, connected by a story that is less than interesting.

A space villain, Boris the Animal (Jemaine Clement), has broken out of prison and seeks vengeance against his arresting officer, Agent K (Tommy Lee Jones). Boris travels back in time and kills a younger Agent K (Josh Brolin), which dooms all of mankind to a destruction by alien warships.

If you're confused, I apologize. I'm doing my very best to describe the plot as accurately as possible.

Will Smith reprises his role as Agent J, who also travels back in time to thwart Boris' plan. This whole time travel gimmick seems like a decent way to write Tommy Lee Jones out of the movie, since most of the film will feature Will Smith partnered up with Josh Brolin. It's rather strange to see Jones receive top billing; his screen time is quite limited.

Movie Review: Dark Shadows (2012)

Tim Burton's Dark Shadows is a visually stunning film; however, I'm afraid it's hard to find reason to praise the movie beyond that. Where Dark Shadows starts out strong, providing an excellent beginning to a would-be gothic classic, it soon fizzles into something that walks the line between mediocre and below average.

I am tempted to start this review by giving a plot synopsis, but I'm actually really confused by the film's narrative. There's something about a witch, Angelique Bouchard (Eva Green), who has placed an evil curse over the Collins family, a once prominent name in the New England business world. Angelique's most notable act of evil comes when she turns former lover Barnabas Collins (Johnny Depp) into an immortal vampire.

The Collins family made their wealth by dominating the Maine seafood business; this was of course until Angelique's curses helped her competing line gain a competitive edge. Yes, Ms. Bouchard's primary motivation appears to come from her desire to sell quality fish products.

Review: The Avengers (2012)

When Iron Man came to theatres in 2008, audiences were given a surprise. Those who were patient enough to wait until the credits finished rolling were treated to an additional scene, which served to hype a film featuring a Marvel superhero team-up. Five films and four years later, The Avengers (2012) has final arrived. While it may seem impossible to live up to such an extraordinary level of hype, Marvel's The Avengers completely exceeds all expectations and may very well be the greatest superhero film ever made.

Tying many of the Marvel film franchises together is quite an ambitious project, one that I admit I had my doubts about. I wasn't originally a fan of the hidden "Easter egg" scenes that served as promotional ploys for The Avengers film -- which at the time seemed only like a fantasy. I felt as though connecting all the film franchises together cheapened each movie's unique experience, and in the event that The Avengers was terrible, it would taint those films completely.

While each Marvel film leading up to The Avengers had its own stand-alone value, I still can't help but feel as though each was made with future installments in mind. Through end credit scenes and some crossover characters, each film is linked together -- often in ways that came off as a little silly. 

Movie Review: The Raven (2012)

I’m going to assume by now that you’ve seen the trailer for The Raven, a film by V For Vendetta director, James McTeigue. You know the premise: a fictional Edgar Allan Poe (John Cusack) is helping hunt down a serial murderer, who seems deeply inspired by Poe’s work. This story is told through a series of chase scenes, shootouts, and other movie clichés.

To say that the plot unfolds without originality would be a complete understatement. This is a formula movie, and a very poor one at that. The Raven displays a visual style that seems to strive for mediocrity, and only succeeds at reaching that level some of the time. The film shows very little creativity in its visual style, and sometimes it looks downright ugly.

The cinematography is as formulaic as the film’s script -- every shot seems borrowed from somewhere else; every scene seems crafted around a stale idea from the past. While I expected to see a film heavily influenced by past “whodunits”, The Raven fails so completely to deliver anything original that it seems like little more than a cheap knockoff.

Movie Review: "The Cabin in the Woods" (2012)

The tagline to The Cabin in the Woods implies a level of deception: “You think you know the story.” I can honestly say that this film did not meet my expectations, though I did really enjoy it. It’s true that the story of teenagers isolated in a woodland setting, only to picked off by evil beasties, isn’t exactly a new idea for the horror genre. Luckily, the film doesn’t follow any formula very closely.

There have been several recent releases in the horror-comedy genre, most of which are satirical representations of classic horror formulas. When I arrived at the theater I expected to see a parody film along the lines of Drag Me to Hell or Wes Craven’s Scream. While it’s true that I was treated to some bloody laughs, Cabin in the Woods is not done in the same vein as the films listed above.

I think it is fair to classify Cabin as a horror-comedy offshoot, but saying that doesn’t describe the unique approach fully. It’s really hard to describe Cabin in the Woods, but I think that’s exactly what the filmmakers were going for.

Why Changing the Mass Effect 3 Ending Would Be Bad for Video Games

"With its compelling cinematic setting, the Mass Effect series stands as an example of how video games can be great works of art. Changing the ending only reinforces the beliefs of video game naysayers, who insist that games are nothing more than mindless entertainment." 

I'll start by speaking frankly: video games are not respected as an art medium. There's no doubt that gaming is on the rise; sales continue to break records year after year. Yet, video games still aren't getting the same recognition from the mainstream as other forms of media entertainment.

I use the word "entertainment" because I think that's how video games are viewed by a lot of people, particularly the older generations. Still, I don't think that gamers can solely blame crotchety old folks for being closed-minded to the medium. It's up to gamers of all ages to prove to non-believers that video games have evolved since the arcade era and are no longer just mindless distractions.

For every game that is made just for fun, there is another game that focuses on creative art direction. For every game with no story, there's another with a compelling narrative, filled with rich characters and themes. Video games are just as much of an art medium as film, music, and literature -- we just have to prove it. The first way to accomplish this is for the gamers themselves to treat video games as art, and not just view them as a commercial product. Yes, I think video game consumers share a huge chunk of the blame.

Recently a petition addressed to BioWare arrived in my inbox. The petition called for a new ending to Mass Effect 3, citing outrage over the game's actual ending. While I wasn't completely satisfied with the Mass Effect 3 ending, I didn't for a second consider signing such an asinine petition.

Reflecting Back on the Nintendo Wii

It was Christmas 2006 when I unwrapped my Nintendo Wii. The tag on the paper informed me that "Santa" was the one who purchased me this gift. Although I was in my 20s, this still seemed more believable to me than my mother actually finding one during the holiday rush.

I had read all the launch reviews, I had studied all the media reactions to the console, and I knew that it was near impossible to get one by Christmas. I didn't expect to be able to get my hands on a Wii until the following spring, which only hyped the system that much more for me.

My only real experience with motion controlled gaming came from light gun based games, or arcade machines that used plastic motorcycles as a controller. Honestly, I wasn't completely sure what to expect from the Wii motion controls at first. I had seen the commercials of kids diving behind their couches to duck from enemy fire...did I have enough space in my bedroom to play the Wii?

My adventure on the Wii began with Legend of Zelda: The Twilight Princess. It was without a doubt the launch title that received the most praise, and after a few hours of playing, I completely understood why. I was in the zone when I played Twilight Princess. I was on my feet the entire time I played, slashing at enemies in an overzealous manner. I was a master of the bow and arrow, holding my arms out as if I were firing the real thing.

While I wasn't as involved in the motion controls as the gamers in television ads, I was still letting my imagination run wild. I enjoyed the Nintendo Wii experience immensely; it certainly lived up to the hype for me in every way during our initial romance.

Little did I know that somewhere along the way that romance would sour. At some point in the future the love I had for the Nintendo Wii would fade, and my love for other game consoles would resurface.