If the Academy of Motion Picture Arts and Sciences has any sense of objectivity left, they should look to
Skyfall for an award for Best Director, or at the very least Best Cinematography. Director Sam Mendes and cinematographer Roger Deakins have crafted not only the best looking film of 2012, but easily the best looking
007 ever made.
Skyfall is nothing short of absolutely magnificent, with a quality to the direction and photography that is truly Oscar caliber.
I hear claims that
Skyfall is the best Bond film ever made, and I think that could be true – at the very worst, it comes in second just behind
Casino Royale (2006). In a way the two films are similar: Both give us a look at a James Bond who feels real, suffering from the same human condition as the rest of us. It’s a take on the franchise that I’m glad Sam Mendes decided to keep, especially considering
Skyfall feels as though it was made to celebrate Bond’s 50-year film history.
Somehow the creators behind
Skyfall have managed to make an ode to franchise, while simultaneously maintaining the film’s distinct identity. The Aston Martin DB5 famously driven during
Goldfinger (1964) makes a triumphant return in
Skyfall, complete with cheesy machine guns hidden below the headlights. Moments like these exist to provide fan service, but still fit in with the mood of
Skyfall, which portrays Daniel Craig’s Bond as an aging relic refusing to accept his limitations.