Friday, May 30, 2014

Movie Reivew: X-Men: Days of Future Past (2014)


Loosely based on the Chris Claremont comic arc of the same name, X-Men: Days of Future Past opens in a dark dystopian future, where a war with robotic soldiers -- called "sentinels" -- has left the mutant population devastated and helpless to fight back. On the run and fighting for their survival, the remaining mutants of the world have only one plan left: Send one of their own back in time, in hopes of stopping this bleak future from ever happening.

It’s an almost ironic plot, considering how truly horrible some of the X-Men film entries have been. Those who were hoping this outing would act as reboot for the dying franchise can rest easy: X-Men: Days of Future Past is not only the hands-down best film in the series, it may very well be the best comic book adaptation of all time.

Saturday, May 24, 2014

Movie Review: Godzilla (2014)


The original 1954 Gojira ("Godzilla") was a dark film about the atomic bomb, in which a monster destroys everything in sight, and leaves little room for hope. It was a cathartic experience for a Japanese audience: An unstoppable force is causing destruction, and man is helpless to contain it, so they largely accept it. Riddled with metaphor, the film was Japan’s reaction to a horrible war crime that destroyed two cities and caused the death of millions of innocent people.

Godzilla then spawned a plethora of sequels, most of which abandoned the serious tone in favor of men in silly costumes fighting each other over the fate of the world, with the audience rooting for the now-likeable Godzilla. Typically the stories involved some monster menace wreaking havoc, and our scaly antihero would emerge from his slumber to kick some dopey-looking shrimp monster’s ass. Needless to say, these movies are loved largely only for their “B” charm.

So, which take does this new 2014 Godzilla remake go with? The simple answer is that it goes with the latter, all the while attempting to capture the tone of the former. The result is a monstrous disaster, culminating in a film with a script too weak to sell you on either its philosophy or its monster fights. Godzilla is neither smart nor fun, and considering the deceptive quality of the film’s trailer, it ends up being one of the biggest disappointments in modern memory.

Tuesday, April 1, 2014

Movie Review: Noah (2014)

 
When the opening credits rolled for Noah, a woman in attendance with me yelled “praise the Lord!”, which was then inexplicably followed by cheers from the crowd. It was obvious that a church group of some sort was in the theatre with me, made up of people likely unaware of the abstract moral complexity that is typically characteristic of a Darren Aronofsky film. I suppose the presence of Godly folk should be expected whenever one sees a movie based on a Bible story. Luckily for this congregation, they picked a relatively safe Aronofsky film to see, one that shies away from philosophizing about the backwards ethics at the heart of this Biblical end-of-the-world myth.

Aronofsky succeeds in telling the story of the Great Flood in a way which exposes its glorious absurdity. But he ultimately pulls his punches, seemingly out of fear of offending the Christian masses who will lead Noah to box office success. Inevitably, some of the faithful are going to be offended by what they see here regardless, but if the theatre I was in is any indication of how the public will react, many of the God-fearing are going to feel vindicated by this holy adaptation.

Tuesday, February 25, 2014

Instant Reaction: Pirates of the Caribbean: At World's End (2007)



I remember leaving the theatre after seeing Pirates of the Caribbean: At World’s End and I turned to my  
girlfriend at the time to ask her what she thought of the movie. She shrugged, and we continued our walk in silence, secretly reflecting on what we had just witnessed. After another minute of walking, the tension inside her boiled over and she let her feelings fly: “That movie is so beautiful that it makes me mad", she said, with genuine passion in her voice. "It’s so bad, but I’m so moved by it that I have to love it." She looked seriously distressed, but not necessarily in a bad way.

Tears were almost in her eyes as she recalled some of the film’s greatest moments; like the opening scene that sees a pirate boy hanged, or an astonishing ship battle in a whirlpool that left her in a state of awe. I share her sentiment completely; there’s so much to dislike about this film in terms of story, plot, and Johnny Depp antics. But when you focus on the score, the photography, and the truly fantastic special effects, it’s difficult not to lose yourself in the spectacle.

Once I was hooked in by the overwhelming quality of the score and visuals, I couldn’t help but love the characters and the witty dialogue. Further, once I began to let loose my rational inhibitions and let the film wash over me, the crazy antics, such as a marriage conducted during a sword fight, began to reveal their uniquely cinematic charm.

At World’s End
strikes me on a purely visceral level and compels me to love it, even though the logical side of my brain can't stand it. And its successful in its mission, forcing me into its world despite my resistance. Even seven years after its release, I find myself still watching it and enjoying it. You could say it’s a guilty pleasure of mine, yet I feel no guilt nor shame for loving it. It’s a technical masterpiece, one that's truly awesome to be behold.


Directed by: Gore Verbinski
Starring: Johnny Depp, Orlando Bloom, and Keira Knightley